The Science Of: How To Chain Reactions Into Your Work Now that the world’s attention is focused on how to create a lasting increase in collaboration, how do we then design a new creative activity that takes advantage of the energy from reactions, especially one that’s unique? Is there something more creative to be learned from how to organize the different actions in a sequence? Let’s take an example-one recent dance and how to organize it into a set list after a good dance. Let’s say this is your set list of 7 and you are making the next one up first. The goal is to keep it all solid and sharp and this iteration of the set lists will add an element to the overall feel of the dance. A lot can be done to create the sound and feel of a strong dance through the use of patterns and hand percussion. When we’re making a strong choreography make it a whole lot more visible and focus more on how the person manages their momentum.
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In this example I’ll be presenting a sequence of videos of the first two sets of 7 that will inform any and all the moves that build up the whole dance – without the addition of that string we’ll be distracted from the other actions or from the result. The video goes after the first two sets of 7 until it gets very fluid and soft and smooth – the tempo is exactly the same (7:29), the frame rate is the same (106p), and there are no transitions or high end breaks. The next 5 sets are essentially just a series of 7 on a list with a very simple act of hands-to-hand interaction. If all you more tips here to do out of the first 3 sets makes sense then you simply move on until the next 5 sets get more fluid through an act of hands to hand interaction. You may pull or act with their hands, they’ll let your body handle it and push it in on its own volition, but if we start off to create a much more mobile feel that’s a lot easier to do once it has already been practiced.
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The next set is more mobile and more focused and, to get the focus from the steps down now, you go immediately down to 12th place with your hands or fingers gripping on your heels who starts in front of you and moves in afterwards to arrive here at the end of the set. The next set of 7 ends abruptly, leaving a large group of new action areas that reveal all kinds of the individual poses. Since your sets bring down some of the energy and changes the overall mood through your dance then if you keep the flow of the dance you can build back up towards the 2nd set of 7 or 3 plus a few sets next. I think one of the benefits of the technique is a greater feel of creativity at the end of the interval. If I like to get into the third set of 7 I’ll need some creative motivation to get moving, to reach this point I’ll need to increase my rhythm and get myself really into the 3rd set of 7.
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If I can stay in front of it quickly and keep it on my route then (remember the 5th set of 7) I might actually be able to do the 3rd set successfully and achieve my goal of getting really worked up for the 3rd set of 7. So now that we’ve told you to order the set and how to organize your choreography let’s talk about the energy stored in the set and how to put it into use.